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| Issue |
Title |
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| Vol 24, No 1 (2025) |
Why Anton Eichenwald got interested in Tatar folk songs |
Abstract
PDF (Eng)
PDF (Rus)
|
|
Yu. N. Isanbet |
| |
| Vol 24, No 1 (2025) |
The world of the Tatar theatre in the drawings of its director Prazat Isanbet |
Abstract
PDF (Eng)
|
|
R. R. Sultanova |
| |
| Vol 23, No 2 (2024) |
Archaeographical expeditions of Kazan University. |
Abstract
PDF (Eng)
|
|
A. F. Yusupov, E. N. Sabirova, N. M. Yusupova |
| |
| Vol 23, No 2 (2024) |
The image of Khaliullah Khalfa in popular memory (following the ethnographic expedition of 1991) |
Abstract
PDF (Eng)
|
|
M. I. Shamsetdinova |
| |
| Vol 22, No 1 (2024) |
A. Eichenwald’s memories about G. Tukay – memoirs or fantasies? |
Abstract
PDF (Eng)
|
|
Yu. N. Isanbet |
| |
| Vol 22, No 1 (2024) |
Historical themes in Elmira Galimova’s operas |
Abstract
PDF (Eng)
|
|
M. M. Khabutdinova, G. Aksoy |
| |
| Vol 20, No 2 (2023) |
Folklore opera “The Steppe” in the perception of the contemporaries |
Abstract
PDF (Eng)
PDF (Rus)
|
|
Yu. N. Isanbet |
| |
| Vol 20, No 2 (2023) |
Unknown pages from the biography of the Tatar artist Hadji-Murat Kazakov |
Abstract
PDF (Eng)
PDF (Rus)
|
|
N. M. Miftakhutdinova, |
| |
| Vol 16, No 1 (2021) |
The unknown pages in the biography of Naki Isanbet |
Abstract
PDF (Rus)
|
|
G. Zinurov |
| |
| Vol 16, No 1 (2021) |
The 100th anniversary of the TASSR through the eyes of our contemporary art personalities |
Abstract
PDF (Rus)
|
|
М. Khabutdinova |
| |
| Vol 17, No 2 (2021) |
Nakie Isanbet on Chichan art |
Abstract
PDF (Eng)
|
|
M. Khabutdinova, F. Khabibullin |
| |
| Vol 17, No 2 (2021) |
Naki Isanbet’s article “On the Ways to the Tatar Music Development” (1923) as a source of scientific commentation |
Abstract
PDF (Eng)
|
|
Yu. Isanbet |
| |
| Vol 19, No 2 (2022) |
М.И. Идрисов – создатель унифицированного арабского шрифта, изобретатель-полиграфист |
Abstract
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|
|
| |
| Vol 19, No 2 (2022) |
Tatars and Russian theater in nineteenth century Kazan. |
Abstract
PDF (Eng)
|
|
M. M. Khabutdinova |
| |
| Vol 18, No 1 (2022) |
On the issue of the history of Tatar children’s TV |
Abstract
PDF (Eng)
|
|
A. B. Nasibullina |
| |
| Vol 18, No 1 (2022) |
The artistic concept of the tatara image in modern Russian and Japanese cinematography and the projection choreographic show “Tatara – the heritage of Eurasia” |
Abstract
PDF (Eng)
|
|
M. M. Khabutdinova |
| |
| Vol 20, No 1 (2023) |
Zagir Bigiev’s detective story “Thousands, or the Beautiful Khadicha” on the Tatar stage |
Abstract
PDF (Eng)
|
|
Ch. Zaripova-Chetin, G. Aksoy |
| |
| Vol 20, No 1 (2023) |
Amirkhan Yeniki’s works on the Tatar stage |
Abstract
PDF (Eng)
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|
G. R. Gainullina |
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