A look at the creative laboratory of the master of words (based on Nazar Nadzhmi’s poem “Above Paris”)
https://doi.org/10.26907/2311-2042-2021-17-2-45-60
Abstract
Based on the poem “Above Paris”, written in 1985, the article sheds light on the issues related to Nazhar Nadzhmi’s creative laboratory and determines individual characteristics of the writer’s work using the method of the literary text complex analysis and exploring the features of his creative laboratory. Our study also reveals the basis underlying the change and development of his creative thinking by comparing the versions of his work in the Tatar and Bashkir languages. It is for the first time that this poem has been analyzed on this scientific basis. A comprehensive analysis of the style and characteristic features of the author’s works, his figurative thinking ability and his worldview determine the scientific novelty and relevance of the article.
Firstly, by studying the variants of the work in these two languages, we have established that each literary text has its own place in the literary process and in the process of the author’s creative activity. The conditions under which the poem “Above Paris” was created found reflection in the notes on his journeys to France. Secondly, the analysis of Nazhar Nadzhmi’s works shows that different versions of literary texts evidence a change in his thinking. Thirdly, the study reveals Nazhar Nadzhmi’s attitude to Tatar and Bashkir literature.
About the Author
S. Cwiklinski
Institute of Turkic Studies and Osmanistics, the Free University of Berlin
Germany
Germany
Cwiklinski Sebastian – Ph.D., freelance fellow
Berlin
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Review
For citations:
Cwiklinski S. A look at the creative laboratory of the master of words (based on Nazar Nadzhmi’s poem “Above Paris”). Tatarica. 2021;17(2):45-60. https://doi.org/10.26907/2311-2042-2021-17-2-45-60
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