Concerts of oriental music in Paris
https://doi.org/10.26907/2311-2042-2022-19-2-66-100
Abstract
This work is a continuation of the article “Symphonic Concert of Oriental Music in Kazan in 1923” (Tatarica. 2022. No. 1). The study is based on an interview with A. Eichenwald, reviews and opinions about the concert of oriental music in Paris published in foreign press. The author recon- structs the geography of the composer’s tours using archival sources. The article proves that A. Eichenwald carried out consistent work to promote Tatar songs in the world cultural space. Having become acquainted with the content of reviews and opinions, the author comes to the conclusion that the composer introduced the musical circles and correspondents to the reviews already found in Rus- sian and Tatar publications.
References
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Review
For citations:
Isanbet Yu.N. Concerts of oriental music in Paris. Tatarica. 2022;19(2):66-100. https://doi.org/10.26907/2311-2042-2022-19-2-66-100
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